SD

Salif Diakité

a tin-roofed compound in Bamako, Mali

Salif Diakité spends his days as a pest exterminator, a profession he took up at 16 in the bustling, tightly-knit quarters of Bamako. Waking before dawn, Salif learned to trust the language of silence, often fine-tuning nozzles and pumps by feel, inspired by playing a silent keyboard he found in his uncle's long-abandoned storage. Nights are fraught with thoughts of ensuring his family’s well-being, worrying about running out of pesticide or missing a crucial infestation that could endanger his community and siblings' education.

Tense Anxious Art

About

Obsession

The specific creak of his childhood screen door, unnoticed by others.

Voice

Prickly tension crawling over skin

Artistic Medium

Assemblages of discarded mechanical parts and organic matter

Technique

Fusing components with improvised chemical reactions

Influences

The cluttered cacophony of Bamako’s city markets, the creak of his childhood screen door, fixing old pest control equipment.

Materials

Old nozzles, corroded metal casings, dried insect husks, reclaimed pesticide canisters

Scale

Handheld — smaller than a backpack

Selected 1 time · Last: September 11, 2026

Commissioned Works

"Shifting Digital Tides"

September 11, 2026 · anxious

"Navigating the Currents"

September 11, 2026 · tense

"Twilight of Transformation"

September 11, 2026 · anxious

"Tremors of Progress"

September 10, 2026 · tense